About the Album

From the Liner Notes:

Wilderness America / A Celebration of the Land, is a musical exploration of our place within the cycle of living things. All compositions were specially commissioned for this album and blended with natural sounds recorded in the wild.
All proceeds from this album will be used to help preserve and protect the environment.

Co-Sponsoring Organizations:
DEFENDERS OF WILDLIFE
FRIENDS OF THE SEA OTTER
NATIONAL PARKS AND CONSERVATION ASSOCIATION
SIERRA CLUB
SMALL WILDERNESS AREA PRESERVATION
THE WILDERNESS SOCIETY
NATIONAL AUDUBON SOCIETYProduction of the album has been made possible by a grant from the bank of America Foundation.

Eminently listenable, the compositions of this 1975 “light jazz” musical concept album were blended with natural sounds recorded in the wild (ocean waves, whales, etc.) – lending the entire project a conceptual air that still feels fresh today. 

Originally issued on vinyl in 1975, Wilderness 
America is now available on audio CD and streaming
audio
(2022) from EBALUNGA!!!, an Austrian label
and distributor for old and rare 60s-80s funk,
jazz, latin, soul, afro and psychedelic music. 
David Riordan, Peter Scott, Tom Salisbury
Cliff Branch, Emily Polk
Water Cycle Session - A Celebration of the Land - Wilderness America
Water Cycle session

The journey begins with the sun rising in the atmospheric haze of ‘Dawn’ – an instrumental track, composed by new-age innovator Iasos. Gospel singer Walter Hawkins soon drops in with a soulful funky ‘Metropolis,’ a yearning for life “back to the land,”  backed by a heavy array of session musicians with Patrick Gleeson, Ed Bogas and Tom Salisbury all adding their own misty magic to the album.

The beautiful “Water Cycle” track is another instrumental, including nature sounds, really quite evocative and easy to listen to.

Side 1 finishes with ‘Mountain,’ a peaen to the landscape where “my years to her are seconds in hte blinking of her eyes.”

Side 2 begins with a turning from the “celebratory” aspect of side 1, to the environmental tragedies facing nature and humankind in the late 20th century. In ‘Manchild,” the lyrics have Mother Nature speaking beseechingly to her “Manchild” who had “everything you wanted” but “deep within your cities… you have somehow lost your balance.” The message is clear: “You were a child blessed with wisdom /unlike the world  had ever seen./What has happened since you left us in the trees?” But a solution is proposed: “I am the wind, the rain, the summer, I am the wide open land – / Is it really all that bad to be a part of me?”

The second song on Side 2, “Flight of the Egret,” is another instrumenal, featuring percussion, alto flute, guitar, and bass.

The third song on Side 2, ‘Windsong’ again celebrates the mountains, with vocals telling of “invisible musicians” performing a mountain Mass with yellow aspen and evergreens, where “After days of mountain music you just begin to see all the naturalness we’ve lost in all our painted cities…”

The penultimate song of the album is its crescendo: ‘Before I’m Gone’ really powers the primary message of the album, calling on ourselves to “put an end to all we’re losing,” and to “give up being spoilers of the land.” See complete lyrics for this song below.

Finally, the album concludes with a brief 1 1/2 minutes reprise of ‘Manchild’  with Mother Nature calling to her wayward children to “come home.”

SIDE ONE

DAWN
(LASOD Galaxia creations
lASOs - organ, ard string ensemble. harpsichora
navoma. harmonica. olorellic
METROPOLIS
(David Riordan) China Clipper Publishing/ASCAP 5:28
drums - Harvey Mason
electric guitar
Lee Retenio
fender bass - Bob Moitoza
conga - Lee Pastora
piano - Mike Melvoin
lead vocals - Walter Hawkins
strings arranged and conducted by Patrick Gleesor
WATER CYCLE
(Tom Salisbury)
arranged and conducted by Tom Salisbury
• Lachan Rubin, Roy Malan, carl Pederson
Emily Van Valkenburg
violas - Miriam Dye, Elizabeth Bell
cello - Teresa Adams
English horn - Dan Fattras
flute - Patrick Fawcett
flute, alto flute - Jere B. O'Boyle
French horn - ohn a. Krueser. In.
harp - Randal G. Pratt
percussion - Glen Cronkhite
piano - harp synthesizer - Tom Salisbury
MOUNTAIN
(David Riordan) China Clipper Publishing/ASCAP 4:56
drums - Gaylord Birch
percussion - Glen Cronkhite
bass - Doug Lunn
guitar - John Blakeley
electric piano - Ed Bogas
soprano sax - Mel Martin
vocals - David Riordan
strings arranged and conducted by Ed Boga:

SIDE  TWO

MANCHILD
(David Riordan) China Clipper Publishing/ASCAP 3:43
drums - Gaylord Birch
piano - Tom Salisbury
bass - Doug Lunn
lead vocal - Caryn Robir
background vocals - Roberta Vandenunt, Lynett
Hawkins, Tremaine Hawkins, M.L. Benoit
strings arranged and conducted by Tom Salisbury
FLIGHT OF THE EGRET
(Glen Cronkhite) Romany
percussion, vibes - Glen Cronkhite
alto flute - Mel Martin
guitar - Pete Maunu
bass - David Dunaway
WINDSONG
(David Riordan) Glenwood Publishing/ASCAP 3:58
drums - Gaylord Birch
piano - Tom Salisbury
guitars - John Blakeley
bass - Doug Lunn
percussion - Glen Cronkhite
vocals - Ann Hughes, Pat Hubbard, Duane sousa, Gary Roda
pedal steel - John McFee
BEFORE I'M GONE
(David Riordan) China Clipper Publishing/ASCAP 4:20
vocals and gustars - David Riordan
percussion - Glen Cronkhite
strings arranged and conducted by Ed Bogas
wolves and whales - themselves
MANCHILD (REPRISE)
(David Riordan) China Clipper Publishing/ASCAP 1:35
drums - Gaylord Birch
piano - Tom Salisbury
guitar - John Blakel
bass - Doug Lunn
electric piano - David Riordan
vocals - Roberta Vandenunt, Lynette Hawkins,
Tremaine Hawkins, M.L. Benoit, Jane Riordan,
Ed Bogas, David Riordan, Peter Scott, Caryn Robn
strings arranged and conducted by - Tom Salisbury

 

‘Wilderness America / A Celebration of the Land’ was born when environmentalist Emily DeSpain Polk assembled a group of California residents to participate in a groundbreaking conservationist project. Christening the group SWAP (Small Wilderness Area Preservation) Emily needed funds and began a project to produce a promotional nature based music album. To acquire the financial backing Emily would need to source a musician of some calibre. Contacting Cliff Branch from ‘Warehouse Sound Co.’ she was told the man she was looking for was David Riordan. And so Riordan was the sorcerer conjuring up many of the compositions and also takes vocal duties on the evocative ‘Mountain’ and the climatic ‘Before I’m Gone’

Riordan, along with Peter Scott, a music producer friend in San Francisco, began piecing together an idea for the album. They brought in Ed Bogas to do string arrangements and Tom Salisbury to conduct. David had also asked his friend Patrick Gleeson if he knew of any R&B/Gospel singers in the Bay Area, and they soon added gospel singer Walter Hawkins into the mix.

Inside sleeve side 1 - A Celebration of the Land - American Wilderness

“Before I’m Gone” is the best and most evocative song on this landmark album. 

Listen to Before I’m Gone on YouTube

 

 

BEFORE I’M GONE

Before I’m gone
I’d like to see us turn the corner
and give up being spoilers of the land…
Before I’m gone
I’d like to think we see more clearly
the price we’ll pay most dearly
for being wrong.
Before I’m gone
I want to stop my over-using.
Before I’m gone
I want to put an end to all we’re losing.
Before I’m gone
want to understand .

Before I’m gone
I’d like to see us turn the corner
and give up being spoilers of the land…

Before I’m gone
I’d like to think we see more clearly
the price we’ll pay most dearly
for being wrong…
for being wrong…

Inside sleeve side 2 - Lyrics of all songs on 
American Wilderness: A Celebration of the Land

Inside sleeve side 2 - Lyrics - A Celebration of the Land - American Wilderness

Credits

Recorded and mixed at: Begas AZ. San Francisco
By Richard Beggs
Assistant: Jenny Mosiev

Additional recordine done at:

Golden West Recorders, Los Angeles (Bruce Ablin)
Different Fur Music, San Francisco (John Vierra)
Wally Heider’s Studio C, San Francisco (Ken Hopkins)

Mastered by: George Horn at CBS Studios, San Francisco.

Cover Photograph: Dewitt Jones, Bolinas, California

Cover Design: Douglas Johnson, Different Circle,
San Luis Obispo, California

Back cover Photos: Joe Wells

Thanks to:
Imagination Inc., San Francisco
Warehouse Sound Co., San Luis Obispo, California
Different Fur Music, San Francisco
John Cavala Productions for production support and equipment.

Project Originator: Emily Polk

PRODUCED FOR CHINA CLIPPER ASSOCIATES
BY DAVID RIORDAN AND PETER SCOTT
EXECUTIVE PRODUCER: CLIFF BRANCH